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Burning Daylight

by Jerry David DeCicca

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    Designed by Darryl Norsen (Grateful Dead Notes, Aquarium Drunkard, Jerry Garcia Estate).

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1.
“Cactus Flower” There’s a scarecrow in the field And it’s wearing my clothes I stare into its eyes And hitch on down the road The clouds begin to break And I take off my hat Wash my face in the rain And let my troubles roll off my back And the cactus flower In the heat and dry dirt Where beauty rarely blooms In this land of hurt In this land of hurt 40 year old skin Leather and dust All the joy in my soul Trying to keep it from rust Fried and forgotten Dreams disappear like steam Looking for some hope In a town that’s so mean And the cactus flower In the heat and dry dirt Where beauty rarely blooms In this land of hurt In this land of hurt Pretty petals in the sun Purple and pink for everyone And the cactus flower In the heat and dry dirt Where beauty rarely blooms In this land of hurt In this land of hurt In this land of hurt In this land of hurt In this land of hurt
2.
Jamila Rose 03:23
Jamila Rose, Jamila Rose When I kissed you goodnight I knew something was wrong I said, stick around 10 more minutes, the VJ is gonna play our song Jamila Rose, Jamila Rose I heard you didn’t go to work today I ran into your brother at the meat and 3 out on Bandera Highway And you know that I love you And you know that I care There’s an apartment for rent above the pizza parlor that you and I can share Jamila Rose, Jamila Rose I would walked with you arm and arm Through the protest signs and the storms Jamila Rose, Jamila Rose When I see my future I see you And the road this will just another thing we got through And you know that I love you And you know that I care There’s an apartment for rent above the pizza parlor that you and I can share There’s an apartment for rent above the pizza parlor that you and I can share There’s an apartment for rent above the pizza parlor that you and I can share
3.
“Cutting Down the Country” Every day coming home from work, I drive past the Old King Ranch 140 acres, man, that’s some big heritance And I know one man’s palace is another man’s prison But it still makes me kind of sick to see it get sold off and turned into subdivisions Over on Jacob’s Ridge, there was a 4-way stop Where all these 100 year old Live Oaks covered every lot Now they’re gone and it’s a drug store, a vape shop, and a bank And I’m no tree-hugger, but I’d like to knock it all down with a tank They’re cutting down the country They’re cutting down the country They’re cutting down the country And it won’t grow back I don’t blame the builders working their $10 an hour gigs And I don’t blame the landowners who sold it to those real estate pigs It took generations to get here and just 10 years to erase And everyone just keeps shopping & shopping with blank stares on their face So now we can drive our car payment to house payment to our credit card payment to our job And stare at our phones until our body is a blob Oh look, we got a cookie cutter town in a cookie cutter city We’re all gonna be so much happier now that everything looks so shitty They’re cutting down the country They’re cutting down the country They’re cutting down the country And it won’t grow back
4.
“Here With You” If the nighttime is too goddamn dark And the daylight has lost all of its spark And the noonday demon has left its mark I’ll still be here, here with you I remember the Gulf Coast Keys Blew away our voices in the breeze And our good love fell ill with disease But you were still here, still here with me And year after year Day after day We lose track of the bad as our love decides to stay And page after page Read in the candlelight I can see all the words you want me to say tonight And the morning, we heard that Prince died Just a stranger, but together we cried His music so joyful, but he struggled in life As you stood here, here with me And year after year Day after day We lose track of the bad as our love decides to stay And page after page Read in the candlelight I can see all the words you want me to say tonight
5.
The crop duster flies overhead And we’re broke down on the side of the road It’s spraying chemicals in the air And we’re down here learning how to grow 281 to Johnson City Lavender Lemonade in Blanco This flat tire is slowing us down And we’ve still got a long way to go, long way to go Burning Daylight Burning Daylight Burning Daylight At night time you can’t see the sights Burning Daylight Look over my shoulder, cars whizzing past Nobody stops to help or offer a ride Cops and Truckers, SUVs full of kids Seems like the whole world is out for a Sunday drive Got bottled water, The Wild & the Innocent on cassette A bag of apples and one good spare Whole lotta people wanna go to the same place But there’s so many ways of getting there, of getting there. Burning Daylight Burning Daylight Burning Daylight At night time you can’t see the sights Burning Daylight
6.
Look in the mirror and everything felt wrong All I had was just spit and a song Woke up late to a fire alarm 10 years later, more burns than scars 12 bar brain and 12 bar blues Now you know what living can do Now you know what living can do I feel like I’m walking in Dead Man’s Shoes Roof overhead and food on my plate Blow out the candles on my birthday cake Another wish that’ll never come true Another year without a clue 12 bar brain and 12 bar blues Now you know what living can do Now you know what living can do I feel like I’m walking in Dead Man’s Shoes What doesn’t kill you will make you stronger But that just makes the pain last longer In a world so hopeless and often cruel Get out of bed, turn on the lights Pick your poison to make this feel right Every day takes its toll So here’s a toast to things we can’t control 12 bar brain and 12 bar blues Now you know what living can do Now you know what living can do I feel like I’m walking in Dead Man’s Shoes
7.
8.
Tell me ‘bout the nights that you placed bad bets Tell me ‘bout the men, baby, that you regret Just like you I’ve got old mistakes Old lovers haunt me that can’t be erased Bed of Memories, baby Bed of Memories in our sleep Bed are Memories, baby Broken hearts tucked into our sheets Broken hearts tucked into our sheets You know they built motels for nights like this Two broke-down lovers in need of a kiss And no one wants these bad dreams again And in the morning, we won’t let the embers dim Bed of Memories, baby Bed of Memories in our sleep Bed are Memories, baby Broken hearts tucked into our sheets Broken hearts tucked into our sheets
9.
And I don’t know how to fight the madness Till I reach for you, reach for you I see your face and I want your touch I reach for you The air conditioner’s overheating But it isn’t louder than my heart beating When I reach for you, reach for you I see your face and I want your touch I reach for you Tell me why, tell me why, tell me why, I need you so Tell me why, tell me why, as if I don’t know Cause I know, I won’t let you go Late at night and in the morning In the calm and in the storming I reach for you, I reach for you I see your face and I want your touch I reach for you I see your face and I want your touch I reach for you I see your face and I want your touch I reach for you
10.
Beyond the scrub trees of Canyon Lake You don’t have to go too far The salt-of-the-earth on their way into a hearse At the Devil’s Backbone Bar Built with stones and held up by drunks They don’t take credit cards Or hipsters or yuppies or those without regrets At the Devil’s Backbone Bar Located outside the town of Purgatory Be careful where you drive your car There’s winding cliffs and professional drunks At the Devil’s Backbone Bar Hey, hey, don’t take me away I can walk home by the North Star But I failed to notice that it’s still daylight Outside Devil’s Backbone Bar The jukebox here is full gems No one listens to NPR They got Haggard and Coe and a little Billy Joel At the Devil’s Backbone Bar They don’t serve liquor, only beer But you can bring your own mason jar You can share it for free, but they’ll charge you for ice At Devil’s Backbone Bar You know me, I like to have a good time Read about it my memoir Or watch me double-fisting on a Tuesday night At Devil’s Backbone Bar Hey, hey, don’t take me away I can walk home by the North Star But I failed to notice that it’s still daylight Outside the Devil’s Backbone Bar
11.
I walked past a tree that bore no fruit So I found a bucket and pumped a well to water its roots Then I met a man who heard my sad tale He listened for days and days until we agreed that I was well. And I heard your voice calling out from our destination You said, “I’m already here. Take your time, babe, I’ve got the patience.” Cause I walked here, I walked here, I walked here My legs are tired and it took me years Got knocked down by the wind and I watched a stranger cry But I was too busy dusting off my jeans to take the time to ask him why But I got another chance to pull my head out of my ass And just as I took his hand, I met compassion in a flash And I walked here, I walked here, I walked here My legs are tired and it took me years And my guiding star is behind the clouds And my voice is lost in the crowd But your heart is beating so loud Yeah, here I come, here I come… Around the bend I see the end, hear the cheers at the finish line But I’m still not who I want to be, so with your love, I’ll keep trying And I walked here, I walked here, I walked here My legs are tired and it took me years

about

"If you somehow think that you like the band Spiritualized but not the Bob Dylan album Nashville Skyline then Jerry David DeCicca is on the scene to prove you wrong."

--Tyler Mahan Coe, Cocaine & Rhinestones podcast

Burning Daylight is the 3rd solo album from Jerry David DeCicca.
His second, Time the Teacher, was released in February 2018; a collection of laid-back country-jazz tunes full of piano, horns, and backing vocals, it was praised by Uncut, Aquarium Drunkard, Q, and many more.

Burning Daylight is an altogether different beast. Recorded live to tape at Sonic Ranch studios in West Texas, its rocks from dark to light.
"As a teenager, my taste was out of time- I was obsessed with 40 something year old singer-songwriters that used labels like Columbia, Elektra, Arista, and MCA to document their search for identity. They moved minor chords and graphic details next to big choruses; their characters were their friends, neighbors, family, and themselves: Lou Reed, Warren Zevon, Elliott Murphy, Graham Parker, Bob Dylan, John Mellencamp, Tom Petty, and, more than anyone else, Springsteen. I wrote and recorded this album with a spirit and urgency of my old heroes."

The songs utilize the geography of DeCicca’s Texas Hill Country with metaphorical lyrics to access the personal, like fighting depression in “Dead Man’s Shoes,” the benefits of therapy in “I Walked Here,” seeing beauty in desolate times in “Cactus Flower,” and valuing how you spend your waking hours in “Burning Daylight”. Other times, the album is more direct, like in the shared intimacy of looking back on hard times in the Gulf Shores and mourning the death of Prince in “Here with You”. “Cutting Down the Country” is a cry against sprawl and suburbanization; “I Watched You Pray” expresses gratitude for a friend’s faith while CNN blares the blues.

Featuring collaborators from past records, new band mates, and Gary Mallaber (drummer on Springsteen's Lucky Town, Van Morrison's Moondance, Gene Clark's White Light, every Steve Miller Band hit), Burning Daylight is the next chapter in DeCicca's Texas Hill Country records, where sense of place and politics stand in the periphery of that personal space where light and darkness run parallel.

Jerry David DeCicca is also the producer of albums by outsider sing-songwriters, Larry Jon Wilson (Drag City/Heartworn Highways), Chris Gantry (Drag City), Ed Askew (Tin Angel), and Will Beeley (Tompkins Square) as well as several reissues for the Numero Group. His old band, The Black Swans, released 5 full lengths between 2004-2012 and toured extensively.

credits

released September 28, 2018

JDD- vocals
Don Cento- electric and acoustic guitar
Tyler Evans- electric and acoustic guitar
Canaan Faulkner- bass
Gary Mallaber- drums, percussion, vibraphone on “Jamila Rose”
Eve Searls- Wurlitzer, piano, backing vocals, duet vocal on “Burning Daylight”

Produced by Joe Trevino and the band
Recorded by Charles Godfrey at Sonic Ranch, Tornillo, Texas, June 2017.

Mixed by Stuart Sikes at Big Orange
Mastered by Adam Boose at Cauliflower Audio; lacquer mastering by Adam Smith at Audiomatic

Cover photo by Tyler Evans, back cover photo by Charles Godfrey
Art and layout by Jeb Loy Nichols

All songs written by Jerry David DeCicca (Understanding Land Music/ ASCAP), except “Reach for You” by DeCicca and Don Cento (Third Ditch Music/ BMI). C. 2018

Thanks to Richard and everyone at Super Secret, Nathan Walker, Shil Patel, Jeb, Doug and Karla, everyone at Sonic Ranch, and especially this amazing band and Joe.

This record was cut live in the studio. Any mistakes you hear were created by humans playing music together.

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about

Jerry David DeCicca Bulverde, Texas

JDD is a singer/songwriter living in the Texas Hill Country.

He is also the producer of outsider songwriter albums by Ed Askew (Tin Angel), Larry Jon Wilson (w/ Jeb Loy Nichols), Chris Gantry (Drag City), Will Beeley (Tompkins Square), and an unreleased album by Bob Martin (Midwest Farm Disaster).

He makes his living working in social services and lives in the rural town of Bulverde, Texas.
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